This work is based on Who has seen the wind?, #85 from the Christina Rossetti book Sing Song: A Book of Nursery Rhymes. Set for organ and cello accompaniment.

For SSSAAA voices. A particularly striking piece for a children's choir. With percussion and Latvian text

Scored for three solo sopranos with SSAA choir. A great way to showcase three soloists.

This a cappella setting of the traditional hymn melody opens with a soprano solo that blossoms into a full choral presentation with modern harmonies. A wonderful choice for concert or worship

For double choir and solo violin, taken from the larger work Whispers on the Prairie Wind for orchestra and choir which premiered in 2015 with the subtitle Farewell to My Friend. This is a

An interesting work that is basically a cappella - only a bass drum accompaniment. This work also has aleatoric passages and an expanded harmonic language.

Mimicking the diverse sounds of calling patterns, this Latvian piece explores sounds, vocables, and different tone colors to create an engaging a cappella concert work for advanced treble choirs.

Each volume of the these choral anthologies presents a collection of Esenvalds' most popular choral offerings in a convenient edition. Volumes 1, 2, 4, 5 and 6 are for mixed choirs divisi, and Volume 3 is

This lush arrangement of the ever-popular Irish folk song is written for soprano solo over treble voices, then expanding to full choir. The traditional tune but a completely new harmonization, with rich,

Perfect for the ensemble looking for works from other cultures, this cinematic setting of the Latvian folk song contains repetition which makes the Latvian more accessible. This also includes English

With a text by Sara Teasdale and an a cappella harmonization for mixed divisi choir and soprano solo, Esenvald's use of dissonance and sustained tones throughout create a modern soundscape that supports the

A modern a cappella setting of an English text by Paulann Petersen for divisi mixed chorus. With a soaring melodic motif and an opening section of ambient a cappella texture followed by a more homophonic

An atmospheric piece for upper voices with vocal lines that match well with the text written by pilot John Gillespie Magee, Jr. experiencing the euphoria of flight.

Translated as "In the Evening, When the Sun Sets," this is a serene setting and adaptation of a Latvian folk song, with text in Latvian and English. A truly lovely treble arrangement!

With poetry by Pauline Barda, this gorgeous a cappella piece for SATB divsi choir is both expressive and plaintive. With soprano soli and a short feature for bass flute, the texture creates sublime harmony

A lovely and dreamy setting, with the rich textures of a Paul Laurence Dunbar text: "If you could sit with me beside the sea today, and whisper with me the dreamings...."

Set for SSAATB voices with campanelli/glockenspiel accompaniment.

A lush, warm, and flowing setting of this sacred text in the way only Esenvalds can do it. Absolutely stunning.

"My song will be like a pair of wide wings to your dreams, like the fond arms of love it will wind its music around you..." This beautiful text espousing the power of song is set in a flowing accompanied

An explosive, declamatory opening section is followed by a contrasting segment of ambient choral texture to create an ethereal portrayal of the text. Tinkling bells and tuned water glasses create an icy

A gorgeous a cappella setting of a Latvian folk song for chorus with soloist, power chimes, and tuned water glasses. The choral text is in English while the soloist sings the Latvian text. With dramatic

An a cappella setting that's as smooth as glass for SATB divisi choirs. With a Latin text and a soaring solo, this modern harmonic masterpiece features cluster chords and extended cadences in a beautiful